Skip navigation

W. W. Norton & Company : College Books

Scales, Intervals, Keys

Contents

  • Part One - Semitones, Whole Tones, and the Major Scale
  • Set 1: The Semitone
  • Set 2: Diatonic and Chromatic Semitones
  • Set 3: The Whole Tone
  • Set 4: The Major Scale
  • Test Covering Part One
  • Part Two - Rhythm and Meter
  • Set 5: Basic Note and Rest Values
  • Set 6: Dots and Triplets
  • Set 7: Accent, Simple Meters, Anacrusis
  • Set 8: Compound Meters, Beams, Ties
  • Test Covering Part Two
  • Part Three - Intervals
  • Set 9: Generic Names
  • Set 10:Major 2nds, 3rds, 6ths, and 7ths
  • Set 11: Minor, Augmented, and Diminished 2nds, 3rds, 6ths, and 7ths
  • Set 12: Constructing 2nds, 3rds, 6ths, and 7ths
  • Set 13: Perfect, Augmented, and Diminished Primes 4ths, 5ths, and Octaves
  • Set 14: Doubly Augmented and Diminshed Intervals
  • Set 15: Compound Intervals, Consonance and Dissonance, Enharmonic Equivalents, Inversion
  • Test Covering Part Three
  • Part Four - Key Signatures, Minor Scales
  • Set 16: The Series of 5ths
  • Set 17: Key Signatures in Major
  • Set 18: Notating Key Signatures
  • Set 19: Minor Scales
  • Set 20: Key Signatures in Minor
  • Set 21: Relative Keys, Accidentals
  • Test Covering Part Four
  • Part Five - Triads in Root Position
  • Set 22: Major and Minor Triads
  • Set 23: Diminished and Augmented Triads
  • Set 24: Diatonic Triads in Major
  • Set 25: Diatonic Triads in Minor
  • Set 26: Analyzing Triads in Root Position
  • Test Covering Part Five
  • Part Six - Triads in Inversion, Seventh Chords
  • Set 27: Triad Inversions and Figured Bass
  • Set 28: Triad Inversions and Structural Types
  • Set 29: Analyzing Triads in Inversion
  • Set 30: Major-Minor Seventh Chords
  • Set 31: Other Types of Seventh Chords
  • Test Covering Part Six
  • Part Seven - Introduction to Four-Part Writing
  • Set 32: Doubling and Spacing
  • Set 33: Voice Leading and Chord Connection
  • Set 34: Connecting Tonic and Dominant Chords
  • Set 35: Harmonizing a Melody Using Tonic and Dominant Chords
  • Set 36: Resolving the Dominant Seventh Chord to Tonic
  • Set 37: Harominizing a Melody Using Tonic, Dominant, adn Dominant Seventh Chords
  • Test Covering Part Seven
  • Appendix
  • Appendix A - Anthology of Scores for Study
  • Appendix B - Associating Keys and Key Signatures
  • Appendix C - Cumulative Test for Parts One through Six
  • Appendix D - Answers to All Tests
  • Appendix E - Contents of Accompanying Compact Disc, Glossary, Index of Examples from Music Literature, Credits