Table of Contents: Anthology for Sight Singing
Basic Rhythms in Simple Meters; Skips to 1, 3, and 5 in C Major
The Fifteen Major Keys
Ties and The Dotted Beat
Skips to 7 and 2 as Prefix Neighbors
Compound Meters
Diatonic Minor
Lower Chromatic Neighbors
Chromatic 6 and 7 in the Minor Mode
Triplets; Duplets
Quadruple Division of the Beat in Simple Meters
Conducting Pulse Levels Other than the Notated Beat
The Dominant Triad
The C-Clefs: Alto and Tenor Clefs
Skips to 4 and 6 as Prefix Neighbors
Sextuple Division of the Beat in Compound Meters
Repeat Signs
The Subdominant Triad
Syncopation
The Dominant Seventh Chord
Bass Lines
Introduction to Voice Leading
The Leading-Tone Triad
The Supertonic Triad
The Submediant Triad
The Mediant Triad
Other Seventh Chords
Transposition
The Modes
Advanced Triplets
Chromatic Passing Tones
Skips to Chromatic Pitches as Prefix Neighbors
Chords Applied to the Dominant
Chords Applied to the Subdominant
Chords Applied to the Supertonic
Chords Applied to the Submediant
Chords Applied to the Mediant
The Neapolitan Chord
The Augmented Sixth Chords
Other Chords
Melodic Sequence
Other Clefs
Hemiola
Stepwise Chromatic Alterations
Reading in Keys Other Than the Notated Key Signature
Closely Related Modulation from the Major Mode
Closely Related Modulation from the Minor Mode
Distant Modulations
Successive Modulations
Fragments of Tonality
Advanced Meter
More Advanced Rhythms
Some Common Non-Diatonic Pitch Collections
Hypermeter
Additional Excerpts for Sight Singing
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