Today in Music History
The Enjoyment of Music, 10e
Chapter Index
- 1 The Elements of Music
- Prelude Listening to Music Today
- Ch. 1 Melody: Musical Line
- Ch. 2 Rhythm and Meter: Musical Time
- Ch. 3 Harmony: Musical Space
- Ch. 4 Musical Texture
- Ch. 5 Musical Form
- Ch. 6 Musical Expression: Tempo and Dynamics
- 2 Musical Instruments and Ensembles
- Ch. 7 Voices and Musical Instrument Families
- Ch. 8 Western Musical Instruments
- Ch. 9 Musical Ensembles
- Ch. 10 Style and Function of Music in Society
- 3 The Middle Ages
- Ch. 11 The Culture of the Middle Ages
- Ch. 12 Sacred Music in the Middle Ages
- Ch. 13 Secular Music in the Middle Ages
- 4 The Renaissance
- Ch. 14 The Renaissance Spirit
- Ch. 15 Renaissance Sacred Music
- Ch. 16 Renaissance Secular Music
- Transition I From Renaissance to Baroque
- 5 The Organization of Musical Sounds
- 6 The Baroque and the Arts
- 7 Vocal Music of the Baroque
- Ch. 21 Baroque Opera
- Ch. 22 Barbara Strozzi and the Italian Cantata
- Ch. 23 Bach and the Sacred Cantata
- Ch. 24 Handel and the Oratorio
- 8 Instrumental Music of the Baroque
- Ch. 25 The Baroque Sonata and Concerto
- Ch. 26 The Baroque Suite
- Ch. 27 Other Baroque Instrumental Forms
- Transition II To the Age of Enlightenment
- 9 Expanded Elements of Form
- 10 The Classical Spirit
- 11 Classical Chamber Music
- 12 The Classical Symphony
- Ch. 34 The Nature of the Symphony
- Ch. 35 Haydn and the Symphony
- Ch. 36 Beethoven and the Symphony in Transition
- 13 The Eighteenth-Century Concerto and Sonata
- 14 Choral Music and Opera in the Classical Era
- 15 The Romantic Movement
- 16 Nineteenth-Century Art Song
- 17 The Nineteenth-Century Piano Piece
- Ch. 45 The Piano and Its Literature
- Ch. 46 Chopin and Piano Music
- Ch. 47 Clara Schumann: Pianist and Composer
- Ch. 48 Louis Gottschalk and Piano Music in America
- 18 Romantic Program Music
- Ch. 49 The Nature of Program Music
- Ch. 50 Berlioz and the Program Symphony
- Ch. 51 Musical Nationalism
- 19 Absolute Forms in the Nineteenth Century
- Ch. 52 The Romantic Symphony
- Ch. 53 Brahms and the Late Romantic Symphony
- Ch. 54 The Romantic Concerto
- Ch. 55 The Rise of Classical Composition in America
- 20 Choral and Dramatic Music in the Nineteenth Century
- Ch. 56 Romantic Choral Music
- Ch. 57 Fanny Mendelssohn Hensel and the Romantic Part Song
- Ch. 58 Romantic Opera
- Ch. 59 Verdi and Italian Opera
- Ch. 60 Wagner and the Music Drama
- Ch. 61 Puccini and Late Romantic Opera
- Ch. 62 Tchaikovsky and the Ballet
- 21 The Impressionist and Post-Impressionist Eras
- 22 The Early Twentieth Century
- Ch. 64 Main Currents in Early-Twentieth-Century Music
- Ch. 65 New Elements of Musical Style
- Ch. 66 Stravinsky and the Revitalization of Rhythm
- Ch. 67 Schoenberg and the Second Viennese School
- 23 Twentieth-Century Nationalism
- Ch. 68 Bela Bartok and the European Tradition
- Ch. 69 American Musical Traditions
- Ch. 70 Nationalism in the Americas: Aaron Copland and Silvestre Revueltas
- 24 Popular Styles
- Ch. 71 Ragtime, Blues, and Early Jazz
- Ch. 72 The Swing Era and Beyond
- Ch. 73 Musical Theater
- Ch. 74 Rock and the Global Scene
- 25 The New Music
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