Copyright 2002 W. W. Norton & Company Copyright 2002 W. W. Norton & Company
The Norton Anthology of American Literature
Volume D: American Literature between the Wars, 1914-1945
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Carl Sandburg

 

Biography

Carl Sandburg was one of the most recognized members of the Chicago Renaissance of the 1920s and 1930s. When Poetry, an important magazine founded during the Renaissance, published Sandburg's poem Chicago in 1914, he rose to celebrity status. The poems he went on to write celebrated the working classes of America and used simple vocabulary and everyday speech to appeal to everyday readers. Besides being a poet and a journalist, Sandburg was an active populist and socialist who often expressed his political views in his verse. His poetry collections include Chicago Poems (1914), Cornhuskers (1918), Smoke and Steel (1920), and Slabs of the Sunburnt West (1922). In addition, Sandburg was an important collector of American folklore and folk songs, which he printed in such collections as The American Songbag (1927) and The People, Yes (1936).

Explorations

The NAAL Sandburg selections offer a fine sampling of his range. There are Imagist or Vorticist lines here which suggest Pound; other lines recall William Carlos Williams; some stanzas seem strongly Whitmanesque; and some themes suggest the darkness of Robinson. A very popular and valued American poet for several decades of the twentieth century, Sandburg tried many voices and modes in celebrating modern American experience and working people. Was he a unique voice in his own right or a popularizer of voices and forms which really belonged to other artists?

1. Read over the NAAL selections and comment on Sandburg as a nature poet. Does he address nature as Whitman does, with Whitman's Transcendentalist faith in the inherent divinity of the natural world? Do Sandburg's city scenes and city poems suggest that the urban landscape exists within a larger, redemptive natural context? Or apart from and alien to that context?

2. In these poems, Sandburg appears to favor stark contrasts -- between the poor and the rich, the living and the dead, the work of human beings and the work of natural or cosmic forces. Does that delight in contrasts enrich these poems? Does it make them predictable or schematic? Cite specific lines and moments from these poems in framing your answer.

Other sites to consult:

http://www.english.uiuc.edu/maps/poets/s_z/sandburg/sandburg.htm: A biography, criticism, and background information, with an elegant interface.

http://www.poets.org/poets/poets.cfm?prmID=29&CFID=10178891&CFTOKEN=96327670: A short biography of Sandburg from the Academy of American Poets.

http://carl-sandburg.com/: A site dedicated to Sandburg’s Chicago poems, containing a biography and discussion group.