Copyright 2002 W. W. Norton & Company Copyright 2002 W. W. Norton & Company
The Norton Anthology of American Literature
Volume D: American Literature between the Wars, 1914-1945
Volume A Volume B link Volume C link Volume D link Volume E link
Overview
Review
Making Connections
Quiz
Explorations
Topic Clusters
Timeline
Search By Author
Help
Home

Robinson Jeffers

Biography

Though his family came from the East and traveled often around Europe while he was growing up, Robinson Jeffers found his true home as a young adult in northern California. Still relatively unpopulated, California in 1903 had a wild, rugged landscape that would serve as inspiration for many of Jeffers's poems. Jeffers graduated from Occidental College in Los Angeles in 1905 and after pursuing graduate studies in both medicine and forestry, he decided instead to become a professional poet. In 1914 he moved with his wife to Carmel, south of San Francisco on the Pacific Coast, and made it his lifelong home. As the century progressed, Jeffers became increasingly outraged as California's natural beauty suffered from the increase in population. His volumes of poetry include Tamar (1924), Roan Stallion (1925), Give Your Heart to the Hawks (1933), and Solstice (1935).

Explorations

Jeffers has a reputation as a bitter and misanthropic poet; but if one hears echoes of Robinson and the literary naturalists in Jeffers, one should also listen for other moods and intuitions in his verse. In some of his nature poems, there are interesting connections and comparisons, even to the American Transcendentalists and Romantics. Hurt Hawks (1928) and Carmel Point (1951) can show us some of Jeffers's complexity and range.

1. The prosody of Hurt Hawks is reminiscent at times of Whitman. Are there any thematic similarities between this poem and the Whitman elegies -- Out of the Cradle Endlessly Rocking or When Lilacs Last in the Dooryard Bloom'd? How are Whitman's celebratory, life-affirming verse forms being used or echoed by Jeffers here?

2. The final four lines of Carmel Point offer the reader spiritual advice, of a sort. Are there parallels between this counsel and what Emerson offers in Nature or The Over-Soul? How far do those parallels extend?

3. When Jeffers is moved to exclamation or "ecstasy" by something that he observes in the natural world, what does he celebrate? Is he a pastoral poet? Which poems influence your thinking about this question?

Other sites to consult:

Explore Jeffers Country. Part of the Robinson Jeffers Tor House Foundation, this site has extensive Jeffers-related materials: a biographical chronology; a list of major works; photos; reviews, essays, and appreciations of Jeffers's work; and links to other sites, including material on Jeffers and his wife, Una.

Bibliography of print and online Jeffers materials. From Boon Hughey's Jeffers site.

Jeffers Studies journal forum.

"The Coming Jeffers Revival". An article by poet Dana Gioia from the 1990 Quarry West 27.

http://www.jeffers.org/: Jeffers Studies and the Robinson Jeffers Association.

http://www.english.uiuc.edu/maps/poets/g_l/jeffers/exhibit.htm: A Robinson Jeffers Exhibit from Modern American Poetry.

http://www.poets.org/poets/poets.cfm?prmID=203: The Academy of American Poetry’s page about Jeffers.

http://www.nytimes.com/2001/07/22/books/review/22LEITHAT.html: A New York Times review of Jeffers’s Selected Poetry.

http://www.nybooks.com/articles/article-preview?article_id=15252: A New York Review of Books article on two new collections of poetry by Jeffers.